La Boheme, Florida Grand Opera
…Elizabeth Caballero, as a touching, resplendently sung Mimi, provided the finest vocalism and fleeting bright moments…has clearly grown into a major talent…makes a pretty and touching seamstress, consistently graceful and credible in her stage movements. She also possesses a glorious soprano voice, gleaming, flexible and evenly produced throughout her range.
The Miami Herald – 4/13/08
L’elisir d’amore, San Antonio Opera
The undisputed star of the night was Caballero as Adina. She dominated the stage when she stepped on it, making it easy to understand how she had bewitched her suitors. Her voice…was fluid, round on the high notes and sparkling throughout the register.
San Antonio Express- 1/2008
Don Giovanni, Florentine Opera
Elizabeth Caballero was terrific as Elvira, delivering a poignantly underlined comedic interpretation and pinpoint-precise coloratura.
Opera News Online – 2/2007
La Boheme, New York City Opera
Elizabeth Caballero presented a Musetta who was temperamental but not overdone, with a voice you want to hear more of.
The New York Times – 9/11/06
For this performance, we were blessed with such a performer, the Cuban soprano Elizabeth Caballero. I wasn’t at all surprised that she was so expert, as she dazzled last season… Here she was wonderful…her ever-evolving phrasing making the most of her star turn. When she then dumps that bottle over the head of the smitten Marcello, her voice changes, if only for a moment, to that of the heartless temptress. Lord Harewood once remarked that the genius of “Bohème” is that it laughs while it weeps. This savvy lady caught exactly that poignant mood.”
The New York Sun – 9/18/06
As Musetta, the Cuban-born soprano Elizabeth Caballero provided the evening’s most show-stopping performance with her second-act “Quando men vo,” offering a thrilling balance of pearly tone, exacting technique and brazen physicality.
The New York Times – 9/11/06
