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Elizabeth Caballero made an excellent heroine, with a big, rangy, darkly glowing lyric-coloratura instrument capable of precise fioriture and crystalline high D-flats. Not a TV-star-style wraith in today’s already tiresome marketing-driven mode, Caballero made a handsome figure onstage, commanding and vulnerable by turns and at all times believably the erotic center of this hothouse world. […]
…Elizabeth Caballero, as a touching, resplendently sung Mimi, provided the finest vocalism and fleeting bright moments…has clearly grown into a major talent…makes a pretty and touching seamstress, consistently graceful and credible in her stage movements. She also possesses a glorious soprano voice, gleaming, flexible and evenly produced throughout her range. The Miami Herald – 4/13/08
The undisputed star of the night was Caballero as Adina. She dominated the stage when she stepped on it, making it easy to understand how she had bewitched her suitors. Her voice…was fluid, round on the high notes and sparkling throughout the register. San Antonio Express- 1/2008
Elizabeth Caballero was terrific as Elvira, delivering a poignantly underlined comedic interpretation and pinpoint-precise coloratura. Opera News Online – 2/2007
Elizabeth Caballero presented a Musetta who was temperamental but not overdone, with a voice you want to hear more of. The New York Times – 9/11/06 For this performance, we were blessed with such a performer, the Cuban soprano Elizabeth Caballero. I wasn’t at all surprised that she was so expert, as she dazzled last […]
In March, Elizabeth gave an exciting performance of Ludwig van Beethoven’s concert aria for Soprano Ah! Perfido with Orchestra Miami under the baton of Maestro Elaine Rinaldi. The performance of the aria was part of a program titled ‘Beethoven on the Beach’ which also included Beethoven’s Seventh Symphony and his Coriolan Overture. Elizabeth previously performed this demanding aria, accompanied by Maestro Rinaldi, in […]
