Entries by KlassicStudio

Highlights of Elizabeth Caballero’s 2013-14 season

  The 2013-14 season marks several exciting debut’s for Elizabeth.  In September/October she will make her company and role debut  in Virginia Opera singing Alice Ford in the Verdi masterpiece,  Falstaff.  Late October she will travel to Miami to perform in the prestigious Festival Miami, known as Florida’s premier live music festival, hosted by her Alma Mater University […]

Elizabeth Caballero’s Donna Anna debut broadcast

Madison Opera will be broadcasting their opening night performance of Don Giovanni on Saturday, May 25th at 12:00PM Central time.  This was Elizabeth’s debut in the role of Donna Anna which opened to great reviews for her and the entire cast including Maestro Joseph Mechavich.  The Daily Page said of her performance, ‘a voice of tremendous power, but […]

Elizabeth Caballero’s successful return to Seattle Opera

In February, Elizabeth made her return to Seattle Opera in the role of Mimi in La bohème.  She had previously debuted with the company in Le nozze di Figaro in the role of Susanna.  For her return as Mimi, she received great reviews which included from the Seattle Times, ‘ElizabethCaballero, pouring forth a stream of glorious tone…’  and from The […]

La boheme, Seattle Opera

Elizabeth Caballero has literally one of the finest voices I’ve ever heard, crushing the men onstage with a booming, elastic vibrato that dominates McCaw Hall. Imagine the world’s creamiest, richest vanilla custard—now imagine that as a serenade. The only drag about La Bohème is that Caballero is not singing constantly throughout the show. Dominic Holden, […]

Madama Butterfly, Lyric Opera of Kansas City

Giacomo Puccini’s “Madama Butterfly” is fraught with heartache and tragedy, but the most poignant moment of the Lyric Opera’s opening-night performance came not during the opera itself, but at the curtain call. Soprano Elizabeth Caballero, who had just delivered a stunning performance in the title role, sank to her knees in tears as the audience […]

La Boheme, Central City Opera

In order for the tragedy to have a proper impact, the audience must love the heroine Mimi as much as the poet Rodolfo does. In her portrayal, soprano Elizabeth Caballero projects the warmth of Mimi’s heart as much as the cold of her hands. She caresses every note, right up to the character’s inevitable yet […]

Turandot, Austin Lyric Opera

The performer who stole the stage was Elizabeth Caballero as Liu. At the conclusion of her first aria of the night the audience spontaneously erupted in applause. Her command of her character and her voice was exceptional and hers was the loudest applause at the conclusion of the evening. Patrick Dixon, Austin Post 4/15/12 The […]

La Rondine, Florida Grand Opera

Caballero brought great warmth and emotion to the role, especially in the final act as she expressed the turmoil going through her mind over whether to tell Ruggero about her past. She read the letter from his mother in a voice full of luster and humanity and brought desperate determination as she tells Ruggero she […]

Turandot, Lyric Opera Kansas City

Most notable was Cuban-American soprano Elizabeth Caballero, who sang Liu in sensuously glowing tones, her charged legato shaping the music into cogent paragraphs. Liu’s death scene tore at the heart. For a long stretch in Act III, the performance achieved the kind of unselfconscious emotional directness that has lately been in short supply at the […]

Carmen, Central City Opera

Among the strongest and most memorable performances of tis production is Elizabeth Caballero in the role of the gppd hearted Micaela. Caballero’s soaring, lyrical soprano and poised, graceful presence effectively convey the endearing sweetness of the peasant girl whose heart is loyal to the emotionally feeble Jose. Sabine Kortals, The Denver Post, 07/03/11